1877 Satsuma Rebellion Ukiyo-e by Toshimitsu (Approximately 25X37CM)
1877 Satsuma Rebellion Ukiyo-e by Toshimitsu (Approximately 25X37CM)
Very good condition overall. There is no water or insect damage. The print has some slight creasing along the edges from long-term storage, but the lines remain sharp and the colors vivid, resulting in an attractive and well-preserved example.
This original Meiji-period woodblock print, titled Satsuma Nichiryakugunki (薩日略軍記, "A Brief Military Record of the Satsuma and Japanese Government Conflict"), was created in 1877 (Meiji 10) by the artist Toshimitsu (年光), a talented pupil of the renowned master Tsukioka Yoshitoshi.
The official publication approval seal confirms that the print was issued in the seventh month of Meiji 10, during the height of the Satsuma Rebellion, the final and largest samurai uprising against the new Meiji government.
The composition identifies important government commanders including Tani Tateki and Ōyama Iwao, who played major roles in suppressing the rebellion led by Saigō Takamori.
During the Satsuma Rebellion, woodblock prints such as this served as a form of visual journalism. Before newspapers could reproduce photographs, publishers rushed dramatic battle scenes to the public based on telegram reports from the front. These "news prints" allowed people in cities such as Tokyo and Osaka to follow the progress of the war almost in real time, making them the nineteenth-century equivalent of illustrated breaking news.
The print vividly contrasts the modern Imperial Army with the traditional samurai rebels. Government troops are shown in Western-style military uniforms and disciplined formations, reflecting the rapid modernization of Japan's armed forces. The prominent use of flags and military insignia heightens the sense of patriotism, urgency, and national transformation that characterized the Meiji era.
As both a historical document and a work of art, this print captures a pivotal moment when the centuries-old samurai order gave way to modern Japan.
A fine and well-preserved example of Meiji war journalism and Satsuma Rebellion imagery, suitable for collectors of samurai history, military prints, and nineteenth-century Japanese woodblock art.
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